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Disney Party at the Cannes Film Festival
Description: Disney Party for the movie Lilo & Stitch. The Hawaii Tropical Girls worked there to entertain the guests.The song is called Peek a Boo by Christian Death and Craddle of Filth.

Magic Happens - Disney
Description: Great ad by Disney, it won a Silver Lion at Cannes' Festival 2002

comercial disney premiado em cannes com prata em 2001
Description: Comercial da Disney premiado com prata em 2001, no festival de cannes.

Arno Diem Can you feel the love tonight Elton John King Lion
Description: Concert d'Arno à Cannes le 8/10/2006-Can you feel the love tonight, le Roi Lion, The Lion King, Walt Disney, Elton John. The official website : http://www.arnodiem.com/ The official myspace : http://www.myspace.com/arnodiem More on http://www.arno-story.fr "Can You Feel the Love Tonight?" lyrics Music by Elton John, lyrics by Tim Rice Musique du roi Lion (The Lion King, Walt Disney) Can You Feel The Love Tonight There's a calm surrender to the rush of day When the heat of the rolling world can be turned away An enchanted moment, and it sees me through It's enough for this restless warrior just to be with you And can you feel the love tonight It is where we are It's enough for this wide-eyed wanderer That we got this far And can you feel the love tonight How it's laid to rest It's enough to make kings and vagabonds Believe the very best There's a time for everyone if they only learn That the twisting kaleidoscope moves us all in turn There's a rhyme and reason to the wild outdoors When the heart of this star-crossed voyager beats in time with yours

Documentary on Jiri Trnka : PART 1
Description: Many people consider Jirí Trnka the greatest puppet animator the world has ever seen. This Czech master directed some of the most acclaimed animated films ever made. He continues to astound audiences, particularly those not familiar with his work. In 1966, four years before his death, Newsday lauded him as "second to Chaplin as a film artist because his work inaugurated a new stage in a medium long dominated by Disney." "Jiri Trnka -- Walt Disney Of The East!" This was the heading of an article written by an English journalist after he saw Trnka's wide screen puppet feature film The Midsummer Night's Dream at the Cannes Film Festival in 1959. He exaggerated in many ways, as there were many differences between the two great artists. The least of which is that Disney focused his work on the children or family audience, while Trnka addressed most of his films to the adult audience. He arrived to the first post-war Cannes Festival in 1946 with his three cartoons (his filmmaking career had only begun on May 29, 1945, when a group of young animators asked the famous book illustrator to become their boss!) Despite the fact that his fairytale cartoon The Robbers and the Animalswon the festival, another film that was entered, The Present,was of more importance to Trnka's work. The Present(written by J. Brdecka) was a cartoon for adults -- a satire with Trnka's very own individual art design and a non-Disney way of storytelling. This film was completely misunderstood until Stephen Bosustow congratulated Trnka on it three years later. If you compare The Presentwith UPA's productions you know why! It was a visible step that divided post-war animation into two groups: the productions of big studios (classics) and films that were modern expressions, created in form and content by strong, individual personalities.

Documentary on Jiri Trnka : PART 2
Description: Part two of a documentary on Jiri Trnka Many people consider Jirí Trnka the greatest puppet animator the world has ever seen. This Czech master directed some of the most acclaimed animated films ever made. He continues to astound audiences, particularly those not familiar with his work. In 1966, four years before his death, Newsday lauded him as "second to Chaplin as a film artist because his work inaugurated a new stage in a medium long dominated by Disney." "Jiri Trnka -- Walt Disney Of The East!" This was the heading of an article written by an English journalist after he saw Trnka's wide screen puppet feature film The Midsummer Night's Dream at the Cannes Film Festival in 1959. He exaggerated in many ways, as there were many differences between the two great artists. The least of which is that Disney focused his work on the children or family audience, while Trnka addressed most of his films to the adult audience. He arrived to the first post-war Cannes Festival in 1946 with his three cartoons (his filmmaking career had only begun on May 29, 1945, when a group of young animators asked the famous book illustrator to become their boss!) Despite the fact that his fairytale cartoon The Robbers and the Animalswon the festival, another film that was entered, The Present,was of more importance to Trnka's work. The Present(written by J. Brdecka) was a cartoon for adults -- a satire with Trnka's very own individual art design and a non-Disney way of storytelling. This film was completely misunderstood until Stephen Bosustow congratulated Trnka on it three years later. If you compare The Presentwith UPA's productions you know why! It was a visible step that divided post-war animation into two groups: the productions of big studios (classics) and films that were modern expressions, created in form and content by strong, individual personalities.

Disney Channel sul digitale terrestre: intervista a Piersilvio Berlusconi
Description: A Portofino in occasione della presentazione alla stampa delle novità dell'offerta Mediaset Premium, il Tg Cannes ha intervistato Piersilvio Berlusconi vicepresidente Mediaset, che ha espresso la propria soddisfazione per i risultati raggiunti sulla piattaforma digitale terrestre dalla pay tv di Mediaset, grazie all'approccio qualitativo con cui hanno costruito il pacchetto editoriale pay che si arricchisce dal primo luglio di due nuovi canali Premium calcio e Disney Channel. Un traguardo importante quest'ultimo visto visto che Disney Channel, come risulta dalle rilevazioni Auditel e Doxa, è risultato il primo canale preferito dal giovane pubblico della pay tv ed il più visto dagli abbonati in target, ed ora, pur continuando ad essere trasmesso su Sky, approda con lo stesso palinsesto anche sul digitale terrestre, entrando a far parte dell'offerta Premium Gallery in aggiunta ai tre canali tematici Joi, Mya e Steel. LA RIVISTA ADVExpress http://www.advexpress.it LA RIVISTA E20Express http://www.e20express.it BEA EXPO FESTIVAL http://www.beaexpofestival.com TG Cannes di ADVExpress http://tgcannes.advexpress.it